On this date in 1819, novelist George Eliot (nee Mary Ann Evans), was born at a farmstead in Derbyshire, England, where her father was estate manager. Mary Ann, the youngest child and a favorite of her father's, received a good education for a young woman of her day. Influenced by a favorite governess, she became a religious evangelical as an adolescent. Her first published work was a religious poem. Through a family friend, she was exposed to Charles Hennell's An Inquiry into the Origins of Christianity. Unable to believe, she conscientiously gave up religion and stopped attending church. Her father shunned her, sending the broken-hearted young dependent to live with a sister until she promised to reexamine her feelings. Her intellectual views did not, however, change. She translated Strauss' Das Leben Jesu, a monumental task, without signing her name to the 1846 work. After her father's death in 1849, Mary Ann traveled, then accepted an unpaid position with The Westminister Review. Despite a heavy work load, she translated Feuerbach's The Essence of Christianity, the only book ever published under her real name. That year, the shy, respectable writer scandalized British society by sending notices to friends announcing she had entered a free "union" with George Henry Lewes, editor of The Leader, who was unable to divorce his first wife. They lived harmoniously together for the next 24 years, but suffered social ostracism and financial hardship. She became salaried and began writing essays and reviews for The Westminister Review (see quote). Renaming herself "Marian" in private life and adopting the nom de plume "George Eliot," she began her impressive fiction career, including: Scenes of Clerical Life (1857), Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1863), and Middlemarch (1871). Themes included her humanist vision and strong heroines. Her poem, "O May I Join the Choir Invisible" expressed her views about nonsupernatural immortality: "O may I join the choir invisible/ Of those immortal dead who live again/ In minds made better by their presence. . ." D. 1880.